SAREI BIRD - HEAD ROOM SESSIONS NO. 39

By James Cook

On a cold Fall night, Sarei Bird and her guitar accompanist, Jose Gutierrez, take the stage just as they are. In the intimate setting of a Head Room sesion, there is an evident vulnerability to their performance. Jose’s light, yet intricate, finger-picking begins alone, followed by Sarei’s smoky, expressive voice. The guitar chords are a stylish mix of latin and jazz, a compliment to Sarei’s indie songwriter forms. 

Photo By Drew Carlson

Photo By Drew Carlson

Sarei’s lyrical stories and perspectives come off as familiar and insightful. Songs weave between her honest story-telling and catchy, memorable choruses. Sarei draws on the weightless highs and drowning lows of love and the pursuit of it within modern dating. I found my own experiences in the lyrics, relating to the struggles of a conflicted, wandering, yet oddly hopeful generation. Her willingness to share with such transparency brings depth and invites a real connection between audience and performer. 

All the while, Jose is beside, playing an effortless nylon-string guitar. His latin style is a slight contrast to Sarei’s blues timbre voice and folk song structures. The common ground of jazz, latin, and folk, however, creates a solid foundation for Sarei’s wealth of insight. Sarei and Jose are well-practiced, unphased, and perform naturally. The words are caring and relatable, and the sound is fresh and eclectic. With lights glaring and a front row only a few feet away, you can sense the duo speaking from the heart.